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Design for the Sensitive Experience: Inclusive Design in Historical-Archaeological Contexts

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Advances in Design for Inclusion (AHFE 2018)

Part of the book series: Advances in Intelligent Systems and Computing ((AISC,volume 776))

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Abstract

The Research Project deepens objectives, tools and methods of a design sensitives to human perception and senses and it’s finalized to the acquisition of Community involvement, basing on an agreement with a public administration, the Municipality. The range of city_users involved are people with special needs or disabilities who, thanks to a dedicated platform and a help desk at Municipality offices, can give a contribution to the research and to the city plans of outdoor archaeological paths, heritage sites, adaptive-ergonomics urban furnishings and sustainable mobility. The ouputs expected from the research are the Creation of a map of accessible itineraries and a consequent mobile systems application; in addiction the creation of connections of “mental topographies” generates a new layer of the map, an emotional map of the city users. In Europe contexts, the possible developments are the publication of Guidelines and a recognized certification mark.

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Notes

  1. 1.

    from The Eyes of the Skin, Juhani Pallasmaa.

  2. 2.

    A notion of Johann Wolfgang Goethe.

  3. 3.

    A notion of Gandhi, from the website Associazione Design for all Italia: http://www.dfaitalia.it/.

  4. 4.

    European Committee on Culture and Education, Rapporteur Mircea Diaconu, Towards an integrated approach to cultural heritage for Europe (2014/2149 (INI)).

  5. 5.

    Phd Student Startup Project: “Progettare per l'esperienza sensibile. Accessibilità, facilità fruitiva e chiarezza comunicativa nel progetto urbano. Il caso del centro storico di Roma: abitazioni, servizi e spazi pubblici, luoghi di interesse culturale”, funded by Ateneo Sapienza, Università di Roma in 2017.

  6. 6.

    See the website: https://www.comune.roma.it/pcr/it/newsview.page?contentId=NEW1830175.

  7. 7.

    “Human being still enjoys variety, including variety of sound.”, Rasmussemìn, S.E. Experiencing Architecture.

  8. 8.

    Zeki, S.: Con gli occhi del cervello. Immagini, luci, colori. di Renzo Editore, Roma (2011).

  9. 9.

    Ratti, C.: Open Source Architecture towards an open design. Giulio Einaudi Editore, Turin (2014).

References

  1. Pallasmaa, J.: The Eyes of the Skin. Wiley Academy, a division of Wiley, Chichester (2005)

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  2. Costa, M.: Psicologia Ambientale e Architettonica, Come l’ambiente e l’architettura influenzano la mente e il comportamento. Franco Angeli Edizioni, Milano (2009)

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  3. Associazione Design for All Italia. http://www.dfaitalia.it/

  4. Rasmussemìn, S.E.: Experiencing Architecture (1962)

    Google Scholar 

  5. Ratti, C.: Open Source Architecture Towards an Open Design. Giulio Einaudi Editore, Turin (2014)

    Google Scholar 

  6. Zeki, S.: Con gli occhi del cervello. Immagini, luci, colori. Di Renzo Editore, Roma (2011)

    Google Scholar 

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Correspondence to Francesca Bozza .

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Bozza, F. (2019). Design for the Sensitive Experience: Inclusive Design in Historical-Archaeological Contexts. In: Di Bucchianico, G. (eds) Advances in Design for Inclusion. AHFE 2018. Advances in Intelligent Systems and Computing, vol 776. Springer, Cham. https://doi.org/10.1007/978-3-319-94622-1_14

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  • DOI: https://doi.org/10.1007/978-3-319-94622-1_14

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  • Publisher Name: Springer, Cham

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